Books and Music at the Heart of Independent Publishing

We’re thrilled to publish Star, Cars and Crystal Meth by Jack Sutherland today.

A wild ride to hell and back by way of Hollywood.

Jack Sutherland, the narrator and protagonist of this memoir has, you night say, led a charmed life in the face of seeming damnation. A confirmed alcoholic in his early teens, by his twenties he was PA and bodyguard to the Hollywood stars most notably Michael Stipe, Ru Paul and Mickey Rourke. His work took him to exotic destinations around the world and bizarre encounters and requests. It also led him back to a smorgasbord of lethal addictions: alcohol, marijuana, ecstasy and perhaps most damaging of all crystal meth and the crazed chem sex that characterises its use. On the shores of death’s coastline, a nine stone skeleton in a frame that once boasted the shape and tone of a bodybuilder, Jack is saved. By his father, one of the literary world’s most esteemed personalities: John Sutherland.

A son’s memoir told through the prism and prose of a father will surely take its place among the classics of contemporary addiction and recovery stories like A Portrait of an Addict as a Young Man and Another Bullshit Night in Suck City. Stars, Cars & Crystal Meth lifts the lid on the shadow world of the Hollywood PA with grim but ultimately inspiring honesty.

Star, Cars and Crystal Meth is available to buy here.

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On 3 March, Faber Social published Uprooted: On the Trail of the Green Man by Nina Lyon, a provocative, wry and searching investigation of the Green Man and our relationship with it today. Having completed the book, Nina here looks back at this ancient, complex symbol, in  the context of ritual and religion.

It isn’t a solstice or an equinox, and there is nothing unusual going on with the moon  tonight, and it’s February and cold so there is no strong argument in favour of a bonfire. It is  a Sunday, though, and I have an insistent feeling that we must go for a walk. I feel this with a  religious sort of fervour; if asked to define it further I might say that it is necessary in order  to wake up physically, and that in an animated state it becomes possible to perceive things  more immediately and to think about them more clearly.

But there’s a bit more to it than that and I only realised this recently. Over the course of a  conversation with non‐churchgoing friends about family and our religious heritage, every  atheist and agnostic at the table admitted to missing the ritual of church, the introspective  space that was set aside and unlike the rest of daily life. We came out, one by one, as serial  attenders of Christmas carol services: you can love the ritual without necessarily loving the  institution, and its ancient seasonal underpinnings pre‐date the Christian church anyway.  How do we fill that gap now?

At some point in the process of writing Uprooted the walk zealotry began. I have dragged my  children, my partner and assorted family and friends on walks that show little concern for  weather or appropriate footwear, are over‐ambitious given time and light considerations,  and that are simply unsafe – my younger child nearly got blown off a snow‐drifted mountain  ridge a few weeks back. We tend to mark the solstice and the other old festivals with a  bonfire in the woods, affairs lacking in solemnity and heavy on burnt marshmallows.

These things feel important. They mark out a sense of place or points in time whose scales  are bigger than our own. This idea of the limits of the human sphere and the way that we  get stuck in a vision limited to the human scale was what first provoked me to write the  book.

Two years ago we had just had a wave of floods very like those that hit the North of England  in particular this January. This year, the Welsh borders where I live didn’t do too badly; that  winter, roads crumbled, schools were closed, and much of the infrastructure we take for  granted stopped working for days at a time.

One day I drove down the road that had been worst affected locally – the one that was  always closed, so that if you lived in certain villages along it you could be stranded on quite a  regular basis as floodwaters rose – in a spirit of speculation. I had a sort of idea that I wanted  to go for a walk around Kilpeck Church, one of the most ancient in the area, and that doing  so might be enlightening. I had seen the Wye burst out across the breadth of its whole valley  twice that week, and had lost electricity several times and nearly lost heat at home, but  hadn’t yet managed to drum up a sense of awe.

We use ‘awesome’ in a throwaway fashion these days and I am more guilty than most of  doing so. Awe is something else. It is fearsome and fearful. It acknowledges the presence of  a greater power than our own. What would the parishioners of the twelfth century have  made of it? At Kilpeck I saw the Green Man above the doorway and decided to get to know  him better.

The adventures that followed did not turn into a firm attachment to the Green Man. This is  mostly because I don’t think the Green Man exists, which will sound like a pretty  contentious thing to say given that I’ve just written a book about it.

But I don’t think that the Green Man exists in much the same way that I don’t think that God  exists, in the dogmatic anthropomorphised version we know so well from Sunday school; I  see the Green Man as a set of images that have a particular resonance today and that must  have had a particular resonance in the past, about which we can only speculate.

The Green Man, for me, works better as the face of speculation rather than a suppressed or  long‐forgotten god. The speculation is where the magic happens: it is the bit where prophets  find the secrets of the cosmos and where entirely normal people find enchantment in the  world around them. There is no written record of the Green Man: his name came from an  under‐researched paper by an amateur folklorist. He is singularly lacking in doctrine. When  people adopt him, it is for their purpose and vision alone.

There is a political edge to him too, though. At a time when human impact on the rest of the  life around us is making our common existence more precarious than ever, Green Mannish  interests have something to say about redressing that balance – more, I’d argue, than the  sort of human‐oriented stewardship arguments we got from the religions of the book.  Memes choose their moment; empty church pews will fill with something else in time,  something that tends beyond the bricks‐and‐mortar materialism of our tech‐obsessed age.

A friend recently interviewed me about Uprooted for a magazine article. We were driving  down the Golden Valley, retracing some of the trips in the book, and she described the  Green Man as ‘punk religion’ as though this were obvious. Our relationship with the notion  of religion was wildly different: hers inherited from a tradition of Vedas and vitalism, mine  more a thing that existed in the deadening strictures of institutions with too much power. I  immediately, though grudgingly, had to concede that she was right. It is about engaging with  the life beyond our own, the limitless lives of all the other things around us, and finding a  common magic to it all, which I hope to find now, at least for a moment, on the mountain.

We’re extremely proud to today publish Uprooted: On The Trail of the Green Man by Nina Lyon.

The book has been receiving incredible reviews…

‘Riotously fecund…Uprooted is less a work of cultural history or countryside writing than a pantheist call to arms.’ — The Guardian

‘This quirky but engaging book describes Lyon’s quest to track down as many examples of [The Green Man] as she can…Ultimately the book is less about the Green Man and more about the author’s search for meaning in her life. It could have become unbearably self-indulgent, but Lyon is a witty and insightful writer and her account is filled with self-deprecating charm’ — The Sunday Times

‘Nina Lyon’s new book on the “Green Man”, which, it turns out, is not really about the Green Man at all, but something bigger. It is an unusual, digressive and timely piece of writing that pulls on many threads.. But just as the meaning of the Green Man hides behind the foliage that sprouts from his mouth and eye sockets, it turns out that the true purpose of Uprooted us also hiding in the undergrowth, waiting to be discovered. — The New Statesman, Paul Kingsnorth 

Nina will be reading from Uprooted next week at our Language of Place event at St. John on Bethnal Green church with Will Self, Iain Sinclair and the Memory Band. Details here.

Uprooted available to buy here.