Porcelain by Moby
November 3, 2015 | by Faber Social
Faber Social are excited to announce the upcoming publication of Porcelain by Moby, coming June 2nd 2016.
One of the most interesting and iconic musicians of our time comes a piercingly tender, funny, and harrowing account of the path from suburban poverty and alienation to a life of beauty, squalor, and unlikely success out of the New York City club scene of the late 1980s and 90s.
There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene of the late 1980s and early 90s, an era when dance music was still a largely underground phenomenon, popular chiefly among working-class African Americans and Latinos. And then there was Moby-not just a poor, skinny white kid from deepest Connecticut, but a devout Christian, a vegan, and a teetotaler, in a scene that was known for its unchecked drug-fueled hedonism. But it was perhaps the last good time for an artist to live on nothing in New York City … And so by the end of the decade, Moby contemplated the end of things, in his career and elsewhere in his life, and he put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would be in fact the beginning of an astonishing new phase in his life, the multimillion-selling Play.
Porcelain is about making it, losing it, loving it and hating it. It’s about finding your people, and your place, thinking you’ve lost them both, and then, finally, somehow, when you think it’s over, from a place of well-earned despair, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians’ memoirs that capture not just a scene but an age, and something timeless about the human condition. Push play.
‘Ten years of Moby’s life, mostly in the decrepit, dangerous, much-loved New York City of the 1990s, a life comically overcrowded, filthy, alcohol-fuelled, vegan, unbelievably noisy, full of spit and semen and some sort of Christianity; and often, suddenly, moving. The writing is terrific, enlivened by a deadpan humour that makes crazy sense of it all. His ancestor Herman Meville would, I think, be simultaneously revolted and proud.’ – Salman Rushdie
‘This is one of the funniest and most accessible books you’ll ever read about an erstwhile Christian/alcoholic vegan electronic music maker. Throughout the adventures and misadventures, Danish music festivals and Barbadan disasters, Moby manages to stay wide-eyed, grateful and amazed, which itself is a real gift to the reader: we feel welcome in—or just as out of place as he feels—in the world of rock and raves and clubs. He remakes the music world into the form it should be: nonexclusive, unpretentious, less about division and stratification, and more about radical inclusion. Music shouldn’t exist any other way.’ – Dave Eggers
Pre-order details coming soon.